KORG PA STYLES TO KRONOS PATCH

While youвЂ™re arranging your program вЂslotsвЂ™ you can add comments to each program or set-list using a standard USB qwerty keyboard. They can also be colour coded for more intuitive selection - ideal in performance situations. Speaking of which, programs and combinations can be arranged into set-lists for fast retrieval from the touchscreen. ItвЂ™s quite a hoot spinning through these presets. There are also new banks of sounds tied to popular song titles which are squarely aimed at the cover band fraternity, my favourite of which was вЂTake On MeвЂ™. Equally as cool is the new ability to edit programs while in combination or sequencing mode, all while still hearing the other programs used within.

KORG PA STYLES TO KRONOS PATCH

This is especially useful when editing the more analogue-style synth engines as you can drag virtual patch cables around on the screen - much like the snapping interconnects in PropellerheadsвЂ™ Reason. New to the current model Kronos is a system-wide вЂTouch and DragвЂ™ system of editing via the eight-inch colour TouchView screen.

Far superior to wading through each program and loading them. A new вЂLoad Required SamplesвЂ™ command now loads any required samples for a song or combination in a single step.

ThatвЂ™s in addition to the 21GB of preset waveforms. Sampling is aided by the speed of a solid state drive, with the capacity to store a massive 62GB of sample data. The sampling system also offers direct ripping of audio from audio CDs, and loads a multitude of sample formats including Korg format, Akai S1000/S3000 data (with advanced program parameter conversion), SoundFont 2.0, AIFF, and WAV formats. Of course, sampling is also possible, either internally for recapturing sounds or even sequencer tracks, or for banging in external sound sources. ThereвЂ™s so much scope with this vast range of synthesis engines that itвЂ™s no wonder the Kronos is often referred to as the most powerful synthesiser on the planet. This engine originally boasted German and Japanese grand pianos, but now adds a 9GB Berlin grand with dedicated soft pedal samples, and all-new sympathetic string resonance - the most lavish piano IвЂ™ve heard from a workstation.ДЇor a brief roundup of the sound engines, thereвЂ™s the EP-1 MDS electric piano engine, the PCM sample-based HD-1 synthesis engine, CX-3 Tonewheel Organ, AL-1 вЂHigh-FidelityвЂ™ analogue modelling, the MOD-7 Waveshaping VPM synth, STR-1 вЂPlucked StringsвЂ™ physical modelling, and the sensational MS-20EX and PolySiењЋX Legacy analogue modelling engines. Kicking off the list is the SGX-2 piano engine (upgraded from the previous SGX-1). The Kronos includes no less than nine discrete synthesis engines. Google вЂgalvanic corrosionвЂ™ and youвЂ™ll see what IвЂ™m alluding to. And thatвЂ™s fine if all your cable jacks are gold plated too, but kinda pointless if they arenвЂ™t. There are also gold-plated I/O jacks on the rear, if that type of thing excites you. TheyвЂ™re real timber! You can tell because theyвЂ™ve been shaped and chamfered. The Kronos comes in three keyboard styles: both the 88- and 73-note models use the RH3 key-bed, while the 61-note model uses the вЂNatural Touch Semi-weightedвЂ™ key-bed with its more synth-like action.ДЄesthetically there are some changes such as a more legible silk-screening, and the rather saucy wooden end-cheeks. KorgвЂ™s keys have come a long way since the company stopped using Yamaha key-beds. The key-bed is KorgвЂ™s RH3 weighted hammer-action keyboard - the same ivories used in KorgвЂ™s top-shelf piano models. The most recent Kronos workstation iteration adds a swathe of new features to the previously established model, and itвЂ™s these IвЂ™ll primarily focus on. TOP OF THE STABLEДЄt the upper end of the Korg synthesis stable is the new Korg Kronos, and itвЂ™s the 73-note version of this monster thatвЂ™s inveigled its way into my man-cave for some appraisal.

Not only does the company create progressive and advanced synthetic instruments, it also unashamedly reinvigorates the vintage machines from 40 years ago - all to the rapturous applause of analogue diehards the world over. In my view, Korg has its finger well and truly on the pulse of contemporary synthesis. From the lowliest, almost toy-like analogue devices such as the Monotron units and Volca range, to the faithful vintage reproductions such as the MS-20 mini and recent Arp Odyssey, all the way through to the no-holds-barred, full-flight workstations, Korg instruments always exude gloriously lush sonics. On many occasions these pages have been plastered with my affection for Korg instruments.

Korg pa styles to kronos